¡Mambo Mucho Mambo! The Dance That Crossed Color Lines (Hardcover)
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Millie danced to jazz in her Italian neighborhood. Pedro danced to Latin songs in his Puerto Rican neighborhood. It was the 1940s in New York City, and they were forbidden to dance together . . . until first a band and then a ballroom broke the rules. Machito and His Afro-Cubans hit the scene with a brand-new sound, blending jazz trumpets and saxophones with Latin maracas and congas creating Latin jazz, music for the head, the heart, and the hips. Then the Palladium Ballroom issued a bold challenge to segregation and threw open its doors to all. Illustrated with verve and told through real-life characters who feature in an afterword, ¡Mambo Mucho Mambo! portrays the power of music and dance to transcend racial, religious, and ethnic boundaries.
Eric Velasquez is the award-winning illustrator of Schomburg: The Man Who Built a Library, which received a Walter Dean Myers Award and an SCBWI Golden Kite Award. He has also won a John Steptoe New Talent Illustrator Award and a Pura Belpré Illustrator Award. Eric Velasquez lives in Hartsdale, New York.
—School Library Journal (starred review)
Robbins’s prose is as musical as his subject. . . Velasquez’s characteristic, near-photorealistic illustrations, rendered in oil paint in a palette reflecting the time, add a dynamic fluidity to the historical atmosphere of this enlightening narrative nonfiction title.
Dynamic text goes hand in hand with vibrant, motion-filled illustrations to tell the story of the Latin sound that swept through New York and then the country in the 1940s and ’50s. . . . Exuberant, just like the dance.
In Robbins and Velasquez’s hands, this early challenge to segregation makes for a lively, compelling piece of history.
—The Horn Book
Robbins and illustrator Velasquez capture the mambo craze of the late 1940s and early 1950s, when New York's Palladium Ballroom disregarded color lines and welcomed people of different races dancing together.
—The Milwaukee Journal Sentinel