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The generational divide between those of us who seek therapy and those who never think to seek it can completely rip apart families. Taylor relates his complicated feelings for his dad in a way I've not read before. This is a love letter to a man who always felt like a failure, but who unknowingly gave his son the best he had. Rich detail and humor relay the pain, music, laughter, work, and struggle inside a close yet scarred family.
An unflinching memoir from a writer reckoning with his relationship with his troubled father and the complicated legacy that each generation hands down to the next
“Justin Taylor’s relentless, peripatetic, and tender search for reconciliation with his late troubled father blooms into a full-throated song of joy about his own life lived through music, teaching, travel, and literature.”—Lauren Groff, author of Florida
When Justin Taylor was thirty, his father, Larry, drove to the top of the Nashville airport parking garage to take his own life. Thanks to the intervention of family members, he was not successful, but the incident forever transformed how Taylor thinks of his father, and how he thinks of himself as a son.
Moving back and forth in time from that day, Riding with the Ghost captures the past’s power to shape, strengthen, and distort our visions of ourselves and one another. We see Larry as the middle child in a chilly Long Island family; as a beloved Little League coach who listens to kids with patience and curiosity; as an unemployed father struggling to keep his marriage together while battling long-term illness and depression. At the same time, Taylor explores how the work of confronting a family member’s story forces a reckoning with your own. We see Taylor as a teacher, modeling himself after his dad’s best qualities; as a caregiver, attempting to provide his father with emotional and financial support, but not always succeeding; as a new husband, with a dawning awareness of his own depressive tendencies.
With raw intimacy, Riding with the Ghost lays bare the joys and burdens of loving a troubled family member. It’s a memoir about fathers and sons, teachers and students, faith and illness, and the pieces of our loved ones that we carry with us always.
About the Author
Justin Taylor is the author of the short-story collections Everything Here Is the Best Thing Ever and Flings, and the novel The Gospel of Anarchy. His fiction and nonfiction have appeared in The New Yorker, Harper’s, The Sewanee Review, n+1, The New York Times Book Review, and Literary Hub. He lives in Portland, Oregon.
“Justin Taylor’s relentless, peripatetic, and tender search for reconciliation with his late troubled father blooms into a full-throated song of joy about his own life lived through music, teaching, travel, and literature. Riding with the Ghost is gorgeously layered and deeply felt.”—Lauren Groff, author of Florida
“An atmospheric, openhearted memoir of great range and ambition. Like his literary hero Denis Johnson, Taylor fearlessly swings from the gutter to the stars and back again in this precisely observed meditation on love and loss.”—Jenny Offill, author of Weather
“In propulsive readable prose, Justin Taylor does something that most people would find impossible: He delves through grief and trauma to find the true story of his own troubled, brilliant father, and to trace the ways that his father’s influence shaped and warped his life and his family. Without being at all polemical, Riding with the Ghost has much to teach us about masculinity, patriarchy, and family in America.”—Emily Gould, author of Perfect Tunes
“From the East Coast to the West Coast to the Gulf Coast, Riding with the Ghost is a classic American road narrative, an intimate portrait of a father, the story of an artist’s coming-of-age, a statement of faith, and a requiem for all those who have touched our lives yet left too soon. Justin Taylor is a master storyteller, and his voice resounds.”—Sarah Gerard, author of True Love
“This memoir sets a new literary standard for [Justin Taylor’s] work, as he aims higher and reaches deeper. Here, the author shows the precision and command of tone that has informed the best of his stories, but there’s something more at stake—for both the writer and his readers. . . . In this deeply reflective, sensitive narrative . . . there’s plenty of additional insightful observations about the stories we tell ourselves and the differences between the way we shape a story and the way we live our lives. A greater literary achievement than Taylor’s impressive fiction.”—Kirkus Reviews (starred review)